Shop and Dwelling

Lazule, The Hemp Shop, Luckies, 151 Cuba St

149 Cuba Street, Te Aro, Wellington
Map
  • Constructed

    1896 - 1897

  • Architect(s)

    Guido Schwartz

  • Builder(s)

    J and A Wilson

  • This elegant building has high aesthetic value for its carefully executed neo-Classical composition and detail.

    The building has historic value for its association with the well-known brewer and entrepreneur Thomas George Macarthy, for whom it was constructed in 1896-97. 

    The exterior of the building is largely authentic, despite a cumbersome recent addition and is of technical value as buildings of this era become increasingly rare. 

    This building has townscape value for its distinctive form and scale in its location, and has group value within the Cuba Street Heritage Area.

  • close History
    • This building was designed by architect GG Schwartz as a shop and dwelling for brewer TG Macarthy in December 1896 , and probably constructed soon after.   The plans show a shop on the ground floor, with a sitting room and scullery behind. The first floor had three bedrooms and a bathroom. The shed visible at the back was probably constructed in 1914.  

      The building has housed a variety of retailers since its construction. Early tenants include a boot mart, a hatter, and a watchmaker.  Printer and stationer Frederick Vaughan occupied the building from 1910 until 1923.  In 1924 the Pippos Brothers ushered in a long period of occupancy by various fishmongers.  After 1945 the building was used for a range of purposes, including a beauty salon, clothing retailers, and cafes.  

      The property remained in the hands of the Public Trustee, as executor of Macarthy’s will, until 1995 when it was sold to well-known local café owners Tim Rose and Geoffrey Marsland.  They opened a café in the building for a brief period while other premises of theirs were earthquake strengthened. The present owners, Ian and Bertha Utting, acquired the property in 1999 and it presently (2012) houses a jewellery shop on the ground floor and offices above.

      No recent permits have been located which detail alterations. However, visual evidence shows the shop space has altered, probably a number of times to reflect changing usage. The first floor was not inspected. The exterior is largely authentic, although the front verandah present on the 1896 plan has been replaced at an unknown time.

      Thomas George Macarthy (c.1833/4-1912)

      Thomas George Macarthy was born in London in 1833 or 1834. In the 1850s he went to the goldfields in Victoria, Australia. In the 1860s he arrived in Dunedin and then went onto Charleston on the West Coast where he established a brewery and invested money in the Reefton mines.  He was listed as a director of two mining companies: the Golden Bar Gold Mining Company in 1882,  and the Koranui Coal Mining Co in 1877.  


      In 1877 Macarthy moved to Wellington where he purchased the Mace and Arkell brewery in the Old Custom House Street (Bond Street) along with the interest in a group of public houses belonging to the brewery  for the sum of £20,000.  He also acquired hotels which were closely linked to his principal business, and other urban property.  In 1883 he purchased a brewery in Tory Street, and this appears to have been renamed ‘Macarthy’s City and Pheonix Brewery’. 

      Macarthy became a respected member of the business community. He was elected to the board of directors of the Bank of New Zealand in 1894 when the location of its head office was shifted from London to Wellington, and served until 1898.   He was prominent in the Wellington Building and Investment Company Limited,  the Wellington and Manawatu Railway Company, the Wellington industrial exhibition of 1896 to 1897.  He was also involved in the company formed in the 1890s to build a new opera house to replace the one that was destroyed in the 1879 “Opera House fire” which also destroyed four hectares of property in and around Manners, Cuba and Dixon Streets in Wellington. 

      In 1897, at age 63, Macarthy married 23-year-old Mary Ellen Fitzsimons. There were no children of the marriage. When Macarthy died in 1912 he left half his large estate to his wife, and half for the purpose of establishing a trust for 'charitable and educational purposes or institutions in the Provincial District of Wellington'. 

      The Trust continues to operate, and even owns some of the original buildings. At 2012, the total income distributed since inception of the Trust is over $58.61 million. 


    • Modifications close
      • 1896 - 1896
      • Building constructed (00053:32:1936)
      • 1925 - 1925
      • Alterations - window alterations and removal of partitions to ground floor shop (00055:50:A4693)
      • 1940 - 1940
      • Shop alterations – new partitions in the shop on the left and a new entry door to the shop on right (00056:255:B21023)
      • 1950 - 1950
      • Verandah (00056:389:B29959)
      • 1960 - 1960
      • Shop alterations - remove a partition at the rear of the shop in the kitchen area (00058:163:C7608)
      • 1966 - 1966
      • Building alterations - shop front entrance (00058:460:C19766)
      • 2000 - 2000
      • Building strengthened Building strengthened (SR 66529)
      • c.2001 - 2001
      • WCC grant for: Earthquake strengthening, replacing window joinery with hardwood jarra to be in keeping with the character of the building, repair of the existing stair-case and repair to the exterior front elevation.
      • 2002 - 2002
      • Workshop extension (00078:1229:95986)
      • 2004 - 2004
      • Extension of office above existing portal frame retail space. Original single storey brick lean-to replaced, re-strengthening and first floor extension to existing building. (00078:1619:118498)
    • Occupation History close
      • unknown
      • The building has housed a variety of retailers since its construction. Early tenants include a boot mart, a hatter, and a watchmaker.
      • 1910 - 1923
      • Printer and stationer Frederick Vaughan occupied the building from 1910 until 1923.
      • 1924
      • In 1924 the Pippos Brothers In the Pippos Brothers (Greek Cypriots were the first of a series of fishmongers.
      • 1945
      • After 1945 the building was used for a range of purposes, including a beauty salon, clothing retailers, and cafes.
      • 1995
      • Midnight Espresso café (Tim Rose and Geoffrey Marsland opened a café in the building for a brief period while other premises of theirs were earthquake strengthened.)
      • 2005
      • First floor - design firm office
      • 2005
      • ‘Lazule’ a jewellery shop on the ground floor ‘Lazule’ a jewellery shop on the ground floor (may be earlier than , still there in 2012)
  • close Architectural Information
    • Building Classification(s) close

      Not assessed

    • Architecture close

      The building is a modestly scaled two-storey brick construction housing a shop at the ground floor and a small flat/office at the first floor (need to confirm current use), with a complex of outbuildings at the rear of the property. The street façade and parapet is decorated with fairly elaborate plaster-work mouldings and elegant timber exterior joinery and is painted in a distinctive pale lapis-lazuli colour. The original bull-nose verandah and cast-iron posts are long lost, replaced with a modern flat stayed canopy, as is the original shop-front and street entrance, but the building retains its original design function (mixed residential and commercial use) and has continued in that use since it was built.

      Below the verandah the shop-front is modern, and although carefully done in (clear-finished) timber, bears no particular relation to that shown on the original drawings (which followed a line neatly inclined from the pavement to the door) beyond the location of doors and windows. Above the verandah, the carefully proportioned neo-classical façade appears entirely original.

      The upper facade is divided into three bays by two pairs of square Doric pilasters. The central bay contains a pair of round-headed double-hung windows in a panelled surround. The pilasters support a blind triangular Doric pediment above the windows, the soffit of which extends horizontally to either side of the façade to produce a cornice line. The pediment and cornice are embellished with dentil mouldings; elaborate Corinthian keystones cum console brackets join to the cornice above the windows. Above the pediment, the pilasters extend to a plain horizontal parapet line that is surmounted by a narrow upper pediment with a curved cap that conceals the apex of the gable end of the roof beyond. The brickwork is generally visible on the façade, save for the moulded details of the pediment and the panelling around the windows. The original plaster and brick is likely to have been unpainted, or possibly, lime-washed.

      There is an interesting visible story of changes to the site told in the detail of the party wall and the variety of outbuildings and brickwork walls at the back of the site, now partly lost with the recent (2006) construction of an addition to the back of the building. The party wall retains traces of the building that preceded the adjoining car-park, with a small amount of plaster moulding remaining on the street end of the wall, traces of the framing and floor lines of the adjoining building and evidence of a lean-to shown with a neatly plastered low parapet line.

      The back face of the main building is now disfigured with an unfortunate recent addition in the form of a shallow-pitched lean-to to the main roof with the consequential loss of much of the original back elevation. The original elevation, which was visible until early 2006, was in carefully-worked brick and featured two pairs of double-hung windows with softly rounded arched heads and the original “lean-to”, a single storey brick addition to the main bulk of the building covered with a corrugated iron hipped roof and trimmed with double-hung timber windows set in arched brick openings matching the main building. This was an extremely rare form of “lean-to” in Wellington and is now lost.

      Spaced away from the “lean-to” and running along the back boundary of the site there is a modern outbuilding, mainly clad in corrugated steel and with a mono-slope roof. The boundary wall of this building is substantially built incorporating the remains of an old brick wall and chimney (which may be a remnant of a small outbuilding, such as a laundry, privy or a stable).

      There is little remaining original fabric within the ground floor of the building. The flat has been provided with separate access from the street (it was originally accessed from within the shop), perhaps in the 1920s in association with alterations to the shop-front. The interior of the first floor was not inspected, and although it appears from an exterior viewing that much of the joinery and trims survives, the modern position of the staircase and the recent addition at the rear of the building has almost certainly resulted in significant internal alterations and loss of heritage fabric.

    • Materials close

      Brick, timber secondary structure, corrugated iron roof.

    • Setting close

      This Victorian shop/house was one of many in Cuba Street. Over the years, this part of the street has gradually accrued larger commercial buildings, and there are now relatively few of this type left.

      It is sited close to the Vivian Street corner next to the later and taller Berry’s building on the left side, and flanked by a car-park, once a large two-storied pub – the former White Swan Hotel, on the right. The car-park permits views of the side and rear of the building, including the various outbuildings, and allows views through to the rear of Toomath’s building on Ghuznee Street, a rare and interesting streetscape that complements this building. The south side of the building is currently used for a very large billboard, which draws attention to the building and gives it a prominence it might not otherwise have.

      The nearby setting includes an extensive collection of older buildings in Cuba Street, Ghuznee Street, Swan Lane and Garrett Street, many of which are included in the Cuba Street Heritage Area. This building makes an important contribution to both its immediate and wider settings and its value is enhanced by those settings.

  • close Cultural Value

    This elegant building has high aesthetic value for its carefully executed neo-Classical composition and detail.

    The building has historic value for its association with the well-known brewer and entrepreneur Thomas George Macarthy, for whom it was constructed in 1896-97.

    The exterior of the building is largely authentic, despite a cumbersome recent addition and is of technical value as buildings of this era become increasingly rare.

    This building has townscape value for its distinctive form and scale in its location, and has group value within the Cuba Street Heritage Area.

    • Aesthetic Value close
      • Architectural

        Does the item have architectural or artistic value for characteristics that may include its design, style, era, form, scale, materials, colour, texture, patina of age, quality of space, craftsmanship, smells, and sounds?

        The building has high aesthetic value for its carefully executed neo-Classical composition and detail.

      • Group

        Is the item part of a group of buildings, structures, or sites that taken together have coherence because of their age, history, style, scale, materials, or use?

        This building has very high group value within the Cuba Street precinct, particularly as one of the few remaining original buildings on its original site on the upper part of the street.

      • Townscape

        Does the item have townscape value for the part it plays in defining a space or street; providing visual interest; its role as a landmark; or the contribution it makes to the character and sense of place of Wellington?

        It has high townscape value for its distinctive form and scale in its location. The immediate setting, including Berry’s Building, is enhanced by and makes a strong contribution to the heritage values of this building.

    • Historic Value close
      • Association

        Is the item associated with an important historic event, theme, pattern, phase, or activity?

        This building is associated with the development of Cuba Street and the commercialisation of Te Aro during the Victorian period.

      • Association

        Is the item associated with an important person, group, or organisation?

        This elegant little building has historic value for its association with the well-known brewer and entrepreneur TG Macarthy.

    • Scientific Value close
      • Archaeological

        Does the item have archaeological value for its ability to provide scientific information about past human activity?

        The building was constructed before 1900; hence this site has potential archaeological value.

      • Technological

        Does the item have technological value for its innovative or important construction methods or use of materials?

        While the building is built with well-known materials and techniques for the time, it is of technical value as buildings of this era are becoming increasingly rare.

    • Social Value close
      • Identity/Sense Of Place/Continuity

        Is the item a focus of community, regional, or national identity? Does the item contribute to sense of place or continuity?

        This building is one of several Victorian commercial buildings on Cuba Street which contribute to the sense of place and continuity of the Cuba Street Heritage Area.

    • Level of Cultural Heritage Significance close
      • Authentic

        Does the item have authenticity or integrity because it retains significant fabric from the time of its construction or from later periods when important additions or modifications were carried out?

        The exterior of the building is largely authentic, despite a cumbersome recent addition.

      • Rare

        Is the item rare, unique, unusual, seminal, influential, or outstanding?

        This is one of the few small pre-1900 brick and masonry Victorian shophouses in this part of Cuba Street to survive on its original site.

      • Representative

        Is the item a good example of the class it represents?

        As a small building in continuous commercial use it is a good representative example of the early commercialisation of Te Aro.

      • Importance

        Is the item important for any of the above characteristics at a local, regional, national, or international level?

        This building is of local importance, as it contributes to the Cuba Street Heritage Area.

    • Local / Regional / National / International Importance close

      Not assessed

  • close Site Detail
    • District Plan Number

      12/429 (Building and remnant party wall on south side)

    • Legal Description

      Lot 1 DP 79547

    • Heritage New Zealand Listed

      Cuba Street Historic Area

    • Archaeological Site

      None

    • Current Uses

      unknown

    • Former Uses

      unknown

    • Has building been funded

      No

    • Funding Amount

      Not applicable

    • Earthquake Prone Status

      Not Earthquake Prone

  • close Additional Information

Last updated: 7/28/2017 3:23:23 AM